This guy single-handedly ruined the word Motherfucker,' Ryan Reynolds protection agent character says about Samuel L. Jacksons hitman character in a new trailer for Lionsgates The Hitmans Bodyguard . Judging from the clip, the meta statement alluding to Jacksons infamous MF-wielding status hints at a film that likely pokes fun at itself while delivering action-packed scenes. The plot involves a Triple A-rated executive protection agent (Reynolds) being assigned the task of guarding a notorious hitman (Jackson). The pair clearly dislike each other. While sitting in a car, the hitman threatens, I will bust a cap in your ass. The protection agent queries, Have you ever said, Please?' to which the hitmans (obvious) response is, Please , motherfucker! Lots of things explode and blow up, there are car chases, loads of guns and plenty of punches thrown, including Reynolds character hitting Jacksons character. There are also, naturally, tons of expletives. To ratchet up the self-refere...
By the time Cameron Crowe made Singles in 1992, the 35-year-old director was already a decade into his careers second act. A former journalist for Rolling Stone, hed pivoted towards the movies after adapting his book about going undercover at a Los Angeles high school Fast Times at Ridgemont High for the screen in 1982. And his directorial debut, Say Anything.. . (1989), proved that he had a knack for capturing teen spirit. Crowe, however, wanted his audience to grow up with him, so for his follow-up movie, he turned his attention to twentysomethings. Having moved to Seattle in the late Eighties, he began writing a screenplay revolving around several interlocking storylines nestled in the culture he knew intimately: the citys burgeoning music scene. Released 25 years ago today, Singles captured a city and a group of artists on the brink of national stardom. Yes, the characters were fictional but the bands in the film are real, often playing live mini-concerts on set. (Even the ma...